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Andrea del Castagno
Madonna and Child fff
c. 1450
Fresco
Villa Carducci, Soffiano (Florence)
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Andrea del Castagno
The Holy Trinity, St Jerome and Two Saints
c. 1453
Fresco
SS. Annunziata, Florence
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Andrea del Castagno
St Julian and the Redeemer
c. 1453
Fresco
SS. Annunziata, Florence
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Andrea del Castagno
Crucifixion jju
c. 1455
Fresco, 270 x 347 cm
Sant'Apollonia, Florence
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Andrea del Castagno
Crucifixion (detail) gg
c. 1455
Fresco
Sant'Apollonia, Florence
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Andrea del Castagno
Portrait of a Gentleman hh
Panel, 54 x 40,5 cm
National Gallery of Art, Washington
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Andrea del Castagno
Monument to Niccolo da Tolentino
1456
Fresco
Duomo, Florence
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Andrea del Castagno
Farinata degli Uberti (mk08)
C.1450
Fresco
245x165cm
Florence,Galleria degli Uffizi
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Andrea del Castagno
Pippo Spano (mk25)
1450
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Andrea del Castagno
Abendmahl
mk66
um1450
Fresko
Cenacolo di S.Apollonia,Florenz
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Andrea del Castagno
The Cumaean Sibyl
mk67
Fresco transferred to canvas
98 7/16x60 5/8in
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Andrea del Castagno
Farinata degli Uberti
mk67
Fresco transferred to canvas
98 7/16x60 5/8in
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Andrea del Castagno
Pippo Spano
mk67
Fresco transferred to canvas
98 7/16x60 5/8in
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Andrea del Castagno
Last Supper
mk68
Fresco,width of wall
Florence
Convent of Sant'Apollonia
1447
ltaly
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Andrea del Castagno
Pippo Spano
mk68
Fresco transferred to wood
Florence,Uffizi.
c.1448
ltaly
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Andrea del Castagno
The Youthful David
nn07
c. 1450
Tempera on leather on wood, width at bottom 115,6 x 41 cm
National Gallery of Art, Washington
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Andrea del Castagno
The Trininty with Saints
mk78
c.1453-4
Fresco.
Florence,SS.Annunziara
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Andrea del Castagno
Our Lady of the Assumption with Sts Miniato and Julian
1450
Panel, 150 x 158 cm
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Andrea del Castagno
St John the Baptist
1442
Fresco
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Andrea del Castagno
God the Father
1442
Fresco
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| Andrea del Castagno
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Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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